It
is a striking puzzle: the more
e-texts Baen Books makes
available cheaply or free, the
more it has been able to sell
the most expensive kind of
printed book.
|
New York, Friday, March 16, 2001
Publisher's
Web Books Spur Hardcover Sales By PAMELA LiCALZI O'CONNELL JIM Baen would hardly
seem an advocate of electronic publishing.
He says derisively that he is "not sure
it's legal to actually make money in
e-publishing." E-books? "There's no money there." The Web? "I'd go bankrupt in a day if I
had to depend on it." To hear this, one would never guess
that Mr. Baen's company, Baen
Books, a small but established publisher
of science fiction, has mounted innovative
Web efforts that address some of the most
pressing issues in publishing: the
viability of e-books, online piracy and
the role of readers in an interactive age.
Even odder, Mr. Baen has stepped on his
own punch line by making money in
e-publishing. Since late 1999, visitors to the
Baen.com have downloaded more than 100,000
electronic texts. Some were distributed
free, but almost four of every five were
part of a paid program called
Webscriptions, which sells the publisher's
forthcoming print books in online serial
form. Webscriptions (www.webscription.net)
makes a modest profit, and the give-away
program, called Baen Free Library, is a
volunteer effort with no overhead costs.
But the two programs' economic value to
the company is incalculable. They have
spurred sales of the company's books,
which are distributed through Viacom's
Simon & Schuster unit. Mr. Baen is
particularly surprised that the electronic
downloads have even stimulated sales of
the company's hardcover books. It is a
striking puzzle: the more e-texts Baen
Books makes available cheaply or free,
the more it has been able to sell the
most expensive kind of printed book.
"We are drifting from being a paperback
house to a hardcover one because of the
Net," Mr. Baen said. The view that Baen's
electronic-publishing efforts have
improved its market for printed science
fiction books is shared by Charles N.
Brown, a observer of that category.
"Baen has shown that putting up electronic
versions of books doesn't cost you sales,"
said Mr. Brown, publisher and editor in
chief of Locus Magazine, a monthly
publication that closely tracks science
fiction. "It gains you a larger audience
for all of your books. As a result,
they've done quite well." Webscriptions is an effort to recreate
the feel and excitement of old-fashioned
science fiction serials, in which stories
unfolded month by month in pulp magazines
like Galaxy, where Mr. Baen was formerly
an editor. For $10 a month, members can
download four or five books that are soon
to be published on a three- month
installment plan that concludes several
weeks before print publication. In other
words, electronic versions of Baen's new
hardcovers are available for less than a
tenth the cover price even before the
books are published.
As a code of honor, subscribers are asked
not to circulate the free copies they
download. This service runs counter to common
wisdom in the industry -- including paying
royalties of 20 percent, double the amount
for traditional books, and allowing
readers to customize how the e-texts look
in their word processors. Based on the high turnover of
subscribers and the response, Mr. Baen is
convinced that customers use the service
to sample works, not read them in their
entirety. That may explain why the company
has no plans to publish original e-books
solely in electronic form. By the same reasoning, the company
hopes the Baen Free Library (www.baen.com/library)
can increase the audience for Baen titles
by offering the full text of select books
at no charge, said Eric Flint, a
Baen author who led the project. Mr. Flint
said that of the more than 400 readers who
had e-mailed him about the free library,
some 90 percent indicated they planned to
buy a printed Baen book as a result of
visiting the free site. The free library
contains 15 books by various Baen authors,
and there are plans to add up to four new
works each month. "I got into an online brawl with some
other authors over the issue of online
piracy," Mr. Flint said, explaining the
free library. "Their cure -- all sorts of
new laws -- was worse than the disease.
Whatever the moral difference, the
practical effect of online piracy is no
different from that of any existing method
by which readers obtain books for free or
at reduced cost, such as borrowing from
friends." It is worth noting, though, that only
eight of Baen's dozens of authors have
offered texts to date. "My agent is
concerned about the effect [that]
posting complete works for free might have
on future rights sales," said Lois
McMaster Bujold, one of Baen's most
popular authors, whose work is not
available on the Free Library. But Ms. Bujold's work has been promoted
in Webscriptions and on Baen's Bar, the
Web site's popular bulletin board, where
authors and readers routinely interact
about works in progress. Mr. Baen often
posts snippets from a coming book on the
bulletin board -- sometimes no more than 5
to 10 paragraphs. He began the practice
with Ms. Bujold's "Civil Campaign" in the
summer of 1999, and she credits it with
pushing pre-publication orders for the
book into Amazon's Top 10 that August. Mr. Flint said he even used Baen's Bar
a few years back to ask readers to help
with the extensive research required for
one of his books, "1632." He said the
result was thousands of helpful postings
-- and a ready-made audience for the book,
which is now in paperback and is an Amazon
science fiction best seller. Mr. Baen, anticipating the power of the
online media, established the policy two
years ago of buying all electronic rights
when it strikes a book deal with an
author. The issue of electronic rights has
become a point of contention in the
publishing world, and was behind a lawsuit
that the Random House division of
Bertelsmann filed last week against an
electronic books start-up company, Rosetta
Books. The bigger question is whether larger
publishers have anything to learn from the
Web efforts of an independently owned
publisher like Baen Books, which is in
Wake Forest, N.C. Yes, says Daniel O'Brien, a
senior analyst for Forrester Research who
closely follows electronic publishing. "I
think what Baen is doing," Mr. O'Brien
said, "is a harbinger of how you can
leverage the Web's interactive nature to
build relationships with readers and
create entirely new revenue streams." Certainly any publisher would love to
have readers as loyal as Suellen
Tapsall. "I have bought far more Baen books than
would ever have been the case without
Baen's Bar, Webscriptions and the
snippets," Ms. Tapsall, a subscriber in
Perth, Australia, said via e- mail. "I
look for Baen books first when I go to the
bookshelves. Why? Because it's a
partnership with Baen and its authors.
Other publishers just want my money. I am
far more willing to spend my money on my
friends." Copyright
2001 The New York Times
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