IAN KERSHAW
The
truth will out
TELLING
LIES ABOUT HITLER
The Holocaust, History and the David
Irving Trial by Richard J Evans (Verso
£14 pp. 326)
WHAT is historical truth? Historians
and philosophers have debated the issue
for decades. It is an argument without
end. Some have taken Pontius
Pilate's way out. Most have sought
some kind of relative rather than
absolute truth in the writing of
history. A few extreme relativists have
argued that any quest for truth or
objectivity in history is pointless. In
their view, writing about the past is
no more than an expression of opinion,
dependent upon the personal perspective
and approach of the historian.
David Irving
comments: AS the magisterial
Sunday Times kindly
reminds us, Sir Ian Kershaw 's
books Hitler: 1889-1936:
Hubris and Hitler:
1936-1945: Nemesis are
published by Penguin. Penguin
Books Ltd is Kershaw's
principal source of literary
income. This firm was also
Lipstadt's co-defendant in my
libel action, and paid around
a million pounds to procure
the neutral opinion of
Professor Richard Evans and
the other neutral objective
experts in the action. All,
ahem, very cosy. Related
items on this
website: |
A touchstone for evaluating such views
has often been the Holocaust. If there
are no certainties about the horrors
that took place so recently in
Nazi-occupied Europe, then can we
really know anything at all about the
past, even the recent past where
documentary sources are so plentiful?
And if history is just a matter of
opinion and of how the past is
reconstructed in the minds of
historians, then is not one view of the
Holocaust of equal value to the next;
even views that deny that it actually
took place?When he wrote In Defence of
History, published in 1997 and
strongly critical of postmodernist
relativisation of historical knowledge,
Richard J Evans, a
distinguished
historian of modern Germany and
holder of the chair of modern history
at Cambridge University, had no inkling
that he would soon be called upon to
put historical method to the test,
under the glare of attention from the
world's media, as the leading expert
witness in one of the most striking
libel cases of recent times; the
lawsuit
brought by David Irving against
Deborah Lipstadt and Penguin
Books alleging defamation through the
claim that he was a Holocaust
denier.
Evans's new book, Telling Lies
about Hitler, is a
triumphant
demonstration, on one of the
most important issues imaginable, of
the virtues of proper and sound
historical method. Acres of print have
been devoted to the Irving case, which
ran for two months in early 2000, but
nothing rivals the importance or
authority of this book, based largely
on the expert report that Evans
produced for the court, and which in
turn underpinned Mr Justice
Gray's devastating judgment on
Irving. It is remarkable, given the
legal demolition of Irving's reputation
as a historian, that several well-known
publishing houses backed out of
publishing the book for fear of further
libel writs. Much credit is owing,
therefore, to Verso for finally making
available in this country a book that
appeared in America (where libel laws
are less weighted towards the claimant)
a year earlier.
The
nature of English libel law determined
that the only defence against Irving's
libel suit was to prove that the
allegedly libellous statements were
true. This, in turn, placed the onus on
the work of expert historians who were
able to assess the highly complex
evidence for what, it was asserted,
Irving was denying: the gassing
facilities at Auschwitz,
the murder of millions of Jews in a
systematic Nazi extermination
programme, and Hitler's
authorisation of that programme. And
since Irving had always staked his
claim to pre- eminence, in his writing
on Nazi Germany, on his mastery of
archival sources which the professional
historians he so often derided had not
consulted, it was vital that his use of
such sources was proved to be
deliberately tendentious; that is,
weighted consistently towards a
particular interpretation of events and
deliberately omitting or distorting
evidence which ran counter to that
interpretation.
This was the task which fell upon
Evans and the other expert witnesses in
the case. It was not an easy one.
Irving used a wide array of unpublished
sources, many obscure, in his books,
and his way of referencing (as I found
out when
checking
the sources for my books on Hitler)
often meant that it was extraordinarily
difficult to track them down. Only
through such meticulously detailed and
technical work was it possible to mount
a legal defence. And this defence,
based on historical method, was
necessary to establish that denial of
the Holocaust rested on falsified and
distorted use of evidence.
All in all, then, it was correct to
say, as the first chapter of Evans's
book explains, that in the court-room
drama of spring 2000, history itself
was on trial. Those who thought
otherwise, and that a law court was not
the place to determine issues of
historical knowledge and
interpretation, were mistaken. The
rules of evidence in a law-suit are
tougher than those conventionally
applied in an article for a historical
journal. This was all the more reason
why the denial of the systematic mass
murder of the Jews needed to be shown,
through the most rigorous historical
method, to be false. For, in the event
of an Irving victory, those who, for
pernicious reasons, insisted that the
Holocaust was a massive historical hoax
would have gained enormous legitimation
for their case.
In
the central chapters of his book, Evans
(right)
clinically
dissects Irving's key historical
writings to reveal a consistent
exoneration of Hitler's role in the
persecution, then extermination, of the
Jews, and a conscious distortion of the
evidence for the systematic gassings in
the death-camps. By careful evaluation
of Irving's unpublished papers, letters
and speeches made available to the
court, he is able to show Irving's
marked adoption, from the late 1980s
onwards, of Holocaust denial
approaches.
Among the most impressive parts of
the book is Evans's analysis of
Irving's early best seller, first
published in 1963, The
Destruction of Dresden. Through
painstaking assessment of the evidence,
and of Irving's use of it, Evans
demonstrates that Irving massively
inflated the number of victims of the
terrible bombing of Dresden's civilian
population in February 1945, continuing
to insist on implausibly high figures
even when the main source on which he
had relied had been revealed as a crude
Nazi forgery. Irving's overriding
purpose; comments Evans, was to drive
up the figure of those killed in the
raids by any means until it became many
times greater than the actual number,
and began to achieve implicit and, in
the end, explicit comparability with
the mass murders carried out by the
Nazis at Auschwitz and elsewhere;
Irving's repeated manipulations and
distortions of the Dresden death toll
had occurred in his first book in
English. The misuse of evidence had,
therefore, started long before Irving
began to argue that Hitler had been a
friend of the Jews, and more than two
decades before he started to deny the
existence of the gas chambers. There
was a pattern to the distortion of
evidence, in other words, and it went
back to the beginning of Irving's
career as a writer.
It took almost two years of research
by Evans and his two assistants,
Thomas Skelton-Robinson and
Nik Wachsmann, before the expert
report was ready for use at the trial,
and it has been a further two years
before Evans's book has finally been
made available in Britain. But the time
spent was worthwhile and the
frustrations incurred in the delayed
publication have not been in vain.
Evans deserves our gratitude for
undermining the pseudo-historical basis
of Holocaust denial. Though it would be
no bad thing if Irving and the trial
finally slipped out of the limelight,
it is good that we have Evans's book to
remind us of the rules of historical
evidence, and, in particular, how
history should not be written. Even if
the nature of historical truth remains
a matter of continuing and legitimate
debate, Telling Lies about
Hitler leaves us in no doubt that
there is such a thing as historical
untruth.